What Would Springsteen Do?

What Would Springsteen Do?

Yesterday, The New Yorker Radio Hour featured Bruce Springsteen. Asked what he would have done if no record contract had ever come through, he said, ‘What I’d always done. Play music. I had no other skill.’ The fact that most writers can’t make a living with their work is no secret. But still, we write. We write because we have to. We don’t know anything else — even as most of us have developed other skills to support ourselves so that we can afford to write.
During these difficult times, stories, essays, articles, poetry — the words we use to share our experiences and our angst — are keeping us connected, granting us a sense of unity, and enabling us to move forward.
In this holiday season, I ask you all to support our work. Buy a book. Buy two books. In any format. Give them as gifts. To your family and friends, and to yourself. Discover a new writer. Re-discover an old one. Yes, of course, I am hoping that you will buy mine, but over the next weeks, I’m going to suggest titles from my latest stack. 
Feel free to add yours in the comments!
I Won’t Lie

I Won’t Lie


  • Image result for coimbra portugal

The transition from a whirlwind trip – a few days in NYC to tie up loose ends and a few in Connecticut and Massachusetts to see family and friends – to this different apartment in a different part of Coimbra has been bumpy with jet lag, second-guessing, and questions.

What am I doing here?

When first arriving back in August, I knew the studio stay was temporary. I knew that in two months I’d be back in the states. This time, I have a lease and no planned trips ‘home.’ How will things work out? In this country? In this city? In this apartment?

Years ago, before moving into a Boston Back Bay apartment with two tiny, street-level windows, I had unsettling dreams about large dark windows sprouting wildly in weirdly alive walls. Later, in New York, the gargoyles hovering outside my 10th floor window caused nightmares so terrifying I had to move out.

Thankfully, this apartment, which I found just two days before flying to New York, has prompted no bad dreams, but, still, I worried, and worry still: Will I be productive here? What about my new neighborhood? My new neighbors? In-town apartments are surprisingly difficult to come by, so my new place hasn’t the European charm I’d imagined, but the apartment itself is cozy, and the people renting it to me extraordinarily kind. I’m in the gray monolith, way up high on the left:

The view is panoramic — I can see the sun both rise and set — but seems less immediate, less personal, than my views from the studio. But I can’t complain, not with the New Cathedral, the University bell tower, the Mondega River and surrounding hills. Here’s an early morning idea:

My new street name is a tongue-twister — Rua Doutour Antonio Jose de Almeida. I no longer need to climb up and down a relentlessly steep hill just to buy milk. My favorite parts of town are farther away. The coffee in the nearest cafes is just as good. And the wine. And the vegetables and cheeses and breads.

The people are just as kind – like the man on the train who noticed my heavy luggage and helped me get it to the platform even though his stop wasn’t Coimbra; the woman who walked me all the way to this street when I lost my way coming back from a shop my first morning here; and, of course, the warmth and generosity of my young landlord and his family.

Friends ask what typical days look like now. Very much like they did in Connecticut, and very much like other writers’ days. I write, read, paint, take walks, meet friends . . . it will take awhile to feel comfortable in these new rooms. I’m patient.

A shout out to ex-pats Linda and Vince, and a special thanks to Linda: she read both my books, Connected Underneath and Vanishing Point, while I was gone!

And we went shopping for furniture today — the apartment came with only a little — we lugged a writing table home in a taxi!

Unlike Connecticut, there’s no car to drive. No dogs to walk. No classes to teach. Few easy conversations in English. The water heater is attached to a wall in the kitchen. I light the stove burners with a match. The clothesline is at a freaky height – looking down at it causes me to hyperventilate. There are no screens on the windows. I’m likely to lose things.

There’s good news: I thought of this as home today. I wrote a new chapter. I’m optimistic. But this for real. I live here now.

P.S. Connected Underneath and Vanishing Point are available from Lethe Press, Amazon, and your indie bookstore. Vanishing Point is also available as a yummy audio book.